“INYANISO YAYAYIPHI NA IREKHODI YEPOP EPHUMELELEYO,” watsho uBrian Eno kwinkupho yasehlotyeni ye-Artforum ngowe-1986, “yeyokuba isandi sayo sinophawu ngakumbi kunoncuthu lwengoma okanye ulwakhiwo lomculo okanye nantoni na eyenye.”Ukufika kwetekhnoloji yokurekhoda kunye ne-synthesizer ngelo xesha sele sele izandisile ii-sonic palettes zabaqambi, kwaye umdla womculo wawungasekho nje kuncuthu lwengoma, uthotho, okanye ipolyphony, kodwa “ngokuhlala ujongana nokwenziwa kwezinto ezintsha.”Kule minyaka ingamashumi amathathu idlulileyo, umqambi, igcisa elibonakalayo, kunye ne-turntablist extraordinaire uMarina Rosenfeld uye wakha ithala leencwadi lee-dubplates-ezo zinqabileyo, ezixabisa imijikelo ye-aluminiyam egqunywe ngelaquer kunye ne-lathe esetyenziswa njengoxinzelelo lovavanyo oluphuma kuyo ivinyl yokusasazwa ngobuninzi. ikhutshelwe—egcina iinxalenye zembonakalo yendalo yakhe eyahlukileyo: ipiyano ekhenkcezayo, amazwi amabhinqa, amaza esine, i-snap, iicrack kunye neepopu.Iziqwengana zeengoma ezigqityiweyo zenza indlela yazo ukuya kwezi diski zithambileyo, apho, ekuhambeni kwexesha lokujikeleza okuphindaphindiweyo, ziyajika kwaye iigrooves zazo ziwohloke.(UJacqueline Humphries ophila ngexesha likaRosenfeld uguqulela imizobo yakhe emidala ibe yimigca ye-asciicode kunye ne-silkscreens kwi-canvases entsha kwisenzo esifanayo soxinzelelo lwe-analogue yolwazi).Ngokukrwempa kunye nokuxuba kwiidekhi zakhe ezimbini, ezichaza ngokuthi "ngumatshini oguqulayo, i-alchemist, i-arhente yokuphindaphinda kunye nokutshintsha," uRosenfeld uhambisa ii-dubplates zakhe kwiziphelo zomculo ezininzi.Isandi, ngelixa singekho ncam, sihlala sisaziwa ukuba sesakhe.
Kulo Meyi uphelileyo, iRosenfeld's turntables yadibana nemvumi yovavanyo uBen Vida's modular synthesizer yokuphucula eFridman Gallery ukubhiyozela ukukhutshwa kwerekhodi labo lokusebenzisana Feel Anything (2019).Ungasebenzisi izixhobo zemveli, kwaye indlela kaVida ichasene neRosenfeld's;ngelixa enokuzoba kuphela kwithala leencwadi leisampulu ezirekhodiweyo (i-turntable, ngamagama akhe, "ayenzi ngaphezulu kokudlala into esele ikhona"), wenza isandi ngasinye siphila.Ukuphuma phakathi kwesihlwele, aba babini bathatha iindawo zabo emva kwezixhobo zabo.Kudliwano-ndlebe, uVida kunye noRosenfeld bagxininise ukuba ngelixa umntu kufuneka aqale umboniso ngexesha lentsebenzo yabo ephuculweyo, akukho mculi wenzelwe ukukhokela omnye.Ngobu busuku uRosenfeld waphakama, wajonga kuVida, wambuza: “Ngaba ukulungele ukudlala?”Banqwala bencomana, baye bemka.Umyalelo kaRosenfeld wedesika yakhe kunye neepleyiti ayiyo-nonpareil, ubuhle bakhe obulula bubonakaliswa kukuzola kwakhe njengoko efikelela kwenye iacetate okanye enika iqhosha levolyum ukungcangcazela okunamandla kangangokuba aphantse abetha iglasi yakhe yamanzi.Akukho nto kwintetho yakhe eyayibonisa ukuba wayexhalabile ukuba isenokuwa.Kwitafile ehambelanayo emi kumgama oziimitha ezimbalwa, uVida wakhweba amaqhakuva angenakuchazwa kunye neethowuni kwi-hulking synthesizer kunye ne-tweaks encinci kunye nokukhohlisa udushe lweentambo ezinemibala.
Kwimizuzu elishumi elinesihlanu yokuqala, akukho mdlali ujonga phezulu kwizixhobo zakhe.Xa uRosenfeld kunye noVida ekugqibeleni bavuma omnye komnye bakwenza oko okomzuzwana kwaye beqinile, ngokungathi bayathandabuza ukuvuma ukubandakanyeka kwabo kwisenzo sokwenza isandi.Ukusukela ngo-1994, xa wayeqala ukwenza i-Sheer Frost Orchestra enamantombazana alishumi elinesixhenxe adlala iziginkci zombane ezikumgangatho ophantsi ngeebhotile ze-nail polish, ukuziqhelanisa kuka-Rosenfeld kuye kwabuza ubudlelwane phakathi kwabadlali bakhe abangaqeqeshwanga kunye nabaphulaphuli bakhe abathinjiweyo kwaye bamkele ukuzithoba. yesimbo.Umdla wakhe ulele kwinto uJohn Cage oyingcali yovavanyo olungelulo ufunyaniswe kakubi njengotyekelo lomphuculi “lokubuyela kwizinto abazithandayo nabangazithandiyo, nakwinkumbulo yabo,” ukuze “bangafiki nakwesiphi na isityhilelo abangasaziyo. ”Isixhobo sikaRosenfeld sisebenza ngokuthe ngqo kwi-mnemonic-iidubplates ezingaphawulwanga ziibhanki zememori zomculo ezisetyenziswa ngokufanelekileyo ngabo baqhelene kakhulu nemixholo yazo.Ewe, uhlala esebenzisa iisampulu ezinobulumko zepiyano, isixhobo awayeqeqeshelwe kuso, ngokungathi umba ulutsha olucinezelekileyo.Ukuba i-collective improvisation isondela into efana nencoko apho onke amaqela athetha ngexesha elinye (I-Cage ifanise nengxoxo yephaneli), uVida kunye noRosenfeld bathetha ngeentetho ezivuma iipasts zabo kunye nobomi obuninzi bezixhobo zabo.Ukungqubana kwehlabathi lezandi-zandi zabo, eziphuculwe iminyaka yokusebenza kunye nokulinga, kuvula imbonakalo entsha yendalo.
Ukuqala nini kwaye njani, nini kwaye njani-le yimibuzo equlunqa ukuphuculwa kunye nobudlelwane phakathi kwabantu.Emva kwemizuzu emalunga namashumi amathathu anesihlanu yobushushu, i-sonority etshizayo, uRosenfeld kunye noVida baphela ngokujonga, ukunqwala, kunye nokuhleka usulu ngokungenakwenzeka kwaso nasiphi na isigqibo sokwenyani.Ilungu labaphulaphuli elidlamkileyo labiza i-encore.“Hayi,” watsho uVida."Oko kuvakala ngathi sisiphelo."Ekuphuculeni, iimvakalelo zihlala zizinyani.
UMarina Rosenfeld kunye noBen Vida badlala eFridman Gallery eNew York ngoMeyi 17, 2019, ngexesha lokukhululwa kweFeel Anything (2019).
Ixesha lokuposa: Sep-13-2022